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In the turbulent
period between 1870 and 1930, the contours on modernity were taking
shape, especially the connections between technology, politics and
aesthetics. The trilogy The Nihilist Order traces the genealogy
of the nihilist-totalitarian syndrome.
The Futurist Syndrome deals with three variants
of the avant-garde artistic movements of European Futurism, and
their fascination with totalitarian regimes. Those movements, represented
here by their leaders, are: Italian Futurism and fascism, represented
by Marinetti; Russian Cubo-Futurism and bolshevism, represented
by Mayakovsky; and English Vorticism and its glorification of Hitler,
represented by Wyndham Lewis.
… The Italian futurist movement
typified the double image of modernism. Worshipping the major features
of the modern age such as dynamism, speed and industrial and urban
aesthetics, they added ideological concepts such as “heroic
technology” and “mechanized warfare”. The Russian
version of Futurism joined hands with local revolutionaries in an
attempt to destroy the old world and bring about modernization,
yet ironically used irrational religious terminology to explain
its purpose. Using nihilistic language, Mayakovsky’s revolutionary
poetry opposed bourgeois imagery and mythologized the Russian people
and Lenin. The third case study, Wyndham Lewis, was a renowned painter,
writer, editor and cultural critic. His artistic movement, Vorticism,
the English version of futurism, and his glorifying portrayal of
the Nazi dictator, Hitler (1931), exemplified the two faces of Fascism:
esthetic nihilism within a totalitarian structure.
… These three examples, while different
and tied to their particular nationalities, show that the artistic
principles of the futurist syndrome had universal appeal and created
a climate of opinion that paved the way for the rise of European
totalitarianism.
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Introduction:
The Politics of Revolutionary Aesthetics
Part
One: Filippo Tommaso Marinetti, Futurism and Fascism
Part Two: Vladimir Mayakovsky, Cubo-Futurism
and Bolshevism
Part Three: Wyndham Lewis, Vorticism and
the Hitler Cult
Notes
Bibliography
Index
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“A provocative and
illuminating thesis on Totalitarianism.” Isaiah Berlin
“Ohana has convincingly shown that a complex
cultural, ideological and psychological syndrome, linking nihilism
to totalitarianism, represented a significant factor in the ‘gathering
storm’ which marked the early twentieth century.”
Saul Friedländer, author of The Years of Extermination:
Nazi Germany and the Jews, 1939–1945
“A major contribution to the understanding
of the 'condition humain'.” Yehoshua Arieli, author of
Individualism and Nationalism in American Ideology
“A turning point in the research
of European modernity.” Frankfurter Allgemeine Zeitung
“Ohana concludes his The Nihilist Order
trilogy, consisting of The Dawn of Political Nihilism,
Homo Mythicus, and this work. Together, they investigate
the connections between nihilism and totalitarianism in the historical
development of the European radical right and radical left. Here,
he focuses on aesthetic aspects through an analysis of the futurist
movements in Italy, Russia, and Britain associated respectively
with the figures of Filippo Marinetti, Vladimir Mayakovsky, and
Wyndham Lewis. In each, he finds the intellectual, cultural, mythical,
and political elements of the ‘futurist syndrome.’ These
elements include ‘destruction of the past and contempt for
history, glorification of modern dynamism and political violence,
a cult of the future and innovation, and the creation of an ex nihilo
myth.’” Reference & Research Book News |
Publication Details
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Hardback ISBN: |
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978-1-84519-291-4 |
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Page Extent / Format: |
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220 pp. / 229 x 152 mm |
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Release Date: |
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November 2009 |
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Illustrated: |
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No |
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Hardback Price: |
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£49.50 / $74.50 |
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