Foreword
by Sir Charles Mackerras
Preface
Part
I Mozart’s Evolving Craft & Style
Mozart’s baroque inheritance
The baroque conception of tempo
Time signatures
The conductor and the continuo
The baroque orchestra
The modern orchestra and the baroque style
Articulation
Secco recitative
The appoggiatura
Dynamics
Vocal cadenzas and embellishments
Stage directions
Choice of keys
Compositional methods
The clarinet family
Mozart’s legacy
Practical suggestions for conductors
Part
II The Orchestra’s Contribution
Idomeneo, Rè di Creta k. 366
Opera seria in three acts première 1781
Die
Entführung aus dem Serail k. 384
Comic singspiel in three acts première 1782
Der
Schauspieldirektor k. 486
Comedy with music, in one act première 1786
Le
nozze di Figaro k. 492
Dramma Giocoso in four acts première 1786
Don
Giovanni k. 527
Dramma Giocoso in two acts première 1787
Così
fan tutte k. 588
Dramma Giocoso in two acts première 1790
La
clemenza di Tito k. 621
Opera seria in two acts première 1791
Die
Zauberflöte k. 620
Opera in two acts première 1791
Sources
of Quotations
Bibliography
Index
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