The Imperative of Narration Beckett, Bernhard, Schopenhauer, Lacan
Catharina Wulf
Author text to follow
This is the first book to deal with the self-reflexive
nature of narration of Beckett and Bernhard. Samuel Beckett’s
and Thomas Bernhard’s works are representative of a persisting
perplexity with regard to language. The texts of both authors are
marked by their narrator’s obsessive need to write, which
is inextricably intertwined with their profound suspicion of language.
The perpetuation of the narration is explained as an imperative,
a simultaneously conscious and unconscious command which forces
the artist to submit to the creative process. … The author places this inexplicable
force of the imperative within the context of Arthur Schopenhauer’s
aesthetic theory and Jacques Lacan’s concept of desire. The
attempt to define and interpret the two authors’ prose and
drama is displaced by this sense of the infinity of desire (Lacan)
and by the eternal becoming of the will (Schopenhauer), which reveal
themselves to lie at the heart of Beckett’s and Bernhard’s
creativity.
List of Contents to follow
“The notion of an ‘imperative’ is clearly and boldly put forward in this wonderful essay.” Jean-Michel Rabaté, Professor of English at the University of Pennsylvania
Publication Details
Hardback ISBN:
978-1-898723-59-2
Page Extent / Format:
272 pp. / 229 x 152 mm
Release Date:
January 1997
Illustrated:
No
Hardback Price:
£49.50 / $75.00
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