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  You are in: Home > Literary Criticism > Reading Fragments and Fragmentation in Modernist Literature  
 

Reading Fragments and Fragmentation in Modernist Literature
 

Rebecca Varley-Winter

Rebecca Varley-Winter completed her PhD on literary fragments and fragmentation at the University of Cambridge, supervised by Dr Anne Stillman. She has published research articles, essays and reviews in Literary Imagination, The Goose, Cambridge Humanities Review and Glasgow Review of Books. She currently teaches undergraduate students at Middlebury–CMRS and the University of Cambridge; prior to this she was a Stipendiary Lecturer in English at Keble College, University of Oxford. Her poetry has won the Brewer Hall Prize and the T. R. Henn Prize.

 

This book begins with the question: How are literary fragments defined as such? As a critical term, ‘fragment’ is more of a starting-point than a definition: Is part of the manuscript missing? Is it grammatically incomplete, using unfinished sentences? Is it made to look unfinished? ‘Fragment’ and ‘fragmentation’ have been used to describe damaged manuscripts; drafts; notes; subverted grammatical structures; the emergence of vers libre from formal verse; texts without linear plots; translations; quotations; and works titled ‘Fragment’ regardless of how formally complete they might appear. This book offers a phenomenological reading of modernist literary fragments, arguing that fragments create states of conflicted embodiment in which mind and body cannot cleanly separate. Drawing on the concept of aestheticism as an overstimulated body, each chapter connects fragments to experiences of physical and emotional ambiguity, exploring difficulties in speaking, writing and translating; spasms of laughter; and disrupted vision.

The author introduces fragmentation as an aspect of what Julia Kristeva and Hélène Cixous term ‘écriture féminine’, and offers new readings of the texts that Stéphane Mallarmé struggled to finish, associating his fragmentation with translation and the ‘Crise’ (Crisis) of vers libre. The author then considers the fragmentary affects of humour, ranging from Henri Bergson to Mina Loy and T. S. Eliot. Urban fragmentation is explored in Hope Mirrlees’ Paris: A Poem, John Maynard Keynes’ The Economic Consequences of the Peace, Félix Fénéon’s Nouvelles en trois lignes, Apollinaire’s Zone, and Walter Benjamin’s Arcades Project. The author ultimately weighs the claim of literary fragmentation as an ethical commitment to detail, embedded in the living body, against a view of fragments as more numbed traces or disembodied remnants.


Acknowledgments                                                                                                                             
Introduction (I thought of Fragilion, that shy figure)                                                                          
Chapter One: Reading Fragments and Fragmentation: Theories and Approaches  
                              
Chapter Two: Translating Stéphane Mallarmé’s Cento    
                                                 
Chapter Three: Funny Fragments, Lunatic Sport                                                                               

Chapter Four: Kaleidoscopic Cities, Historical Kitsch
                                                                         
Conclusion: Fragments as Dream-Texts       
                                                                         
Bibliography      
Index   
                                                                                                                

Reviews to follow

 

Publication Details

 
Hardback ISBN:
978-1-84519-895-4
 
 
Page Extent / Format:
256 pp. / 229 x 152 mm
 
Release Date:
February 2018
  Illustrated:   No
 
Hardback Price:
£55.00 / $69.95
 
 

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