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  You are in: Home > History >The Mythical Indies and Columbus’s Apocalyptic Letter  

The Mythical Indies and Columbus’s Apocalyptic Letter
Imagining the Americas in the Late Middle Ages

Elizabeth Moore Willingham

Elizabeth Moore Willingham is a medievalist, text scholar, and Romance linguist. She is series editor for the Old French Lancelot of Yale 229 for Brepols and has published critical work in Latin American fiction and film, including Laura Esquivel’s Mexican Fictions (Sussex 2010). She is Associate Professor in the Department of Modern Foreign Languages at Baylor University where she teaches Old Spanish, Romance Linguistics, and Hispanic literature and film.


Awarded The St. Louis Mercantile Library Committee/Bibliographical Society of America Prize for American Bibliography
The award was presented Friday, January 27, 2017, at the BSA's annual meeting at the Grolier Club at 47 East 60th Street in New York City. John Neal Hoover, past-president of the Bibliographical Society holder of the John Neal Hoover Endowed Mercantile Library Executive Directorship, made the award. Dr. Hoover remarked. "It was the consensus of the committee that this study is so thorough and comprehensive that it will be the standard work on Columbus' accounts for the century to come."

With his Letter of 1493 to the court of Spain, Christopher Columbus heralded his first voyage to the present-day Americas, creating visions that seduced the European imagination and birthing a fascination with those “new” lands and their inhabitants that continues today. Columbus’s epistolary announcement travelled from country to country in a late-medieval media event — and the rest, as has been observed, is history.

The Letter has long been the object of speculation concerning its authorship and intention: British historian Cecil Jane questions whether Columbus could read and write prior to the first voyage while Demetrio Ramos argues that King Ferdinand and a minister composed the Letter and had it printed in the Spanish folio. The Letter has figured in studies of Spanish Imperialism and of Discovery and Colonial period history, but it also offers insights into Columbus’s passions and motives as he reinvents himself and retails his vision of Peter Martyr’s Novus orbis to men and women for whom Columbus was as unknown as the places he claimed to have visited.

The central feature of the book is its annotated variorum edition of the Spanish Letter, together with an annotated English translation and word and name glossaries. A list of terms from early print-period and manuscript cultures supports those critical discussions. In the context of her text-based reading, the author addresses earlier critical perspectives on the Letter, explores foundational questions about its composition, publication and aims, and proposes a theory of authorship grounded in text, linguistics, discourse, and culture.

Foreword: Aims and apparatus

An introduction to Columbus’s Letter

1. Discovery and commerce: a Letter in Folio
2. A slippery job: identifying the Folio’s printer
3. Lasting impressions: the initial and the types
4. The Letter goes abroad: the Roman connection
5. Lost, found, and yet undiscovered: Peninsular quartos
6. Manuscripts: real and imagined
7. Reading the variorum
8. A variorum edition of the Spanish Folio
9. Debriefing: ink and paper, men, and stemma
10. An English translation of the Folio
11. Parsing the reading
12. Columbus and his apocalyptic Letter

Guide to abbreviations, frequent short references, proper names and symbols
Cover images and frontispiece
Publications of the Columbus Letter
Incunabula and early sixteenth-century books cited
Works cited

“[D]etailed and extensively researched” — a “complex and scholarly analysis” — “an exhaustive study of the first announcement of Columbus’s first transatlantic voyages.”
The International Journal of Maritime History
William D. Phillips, Jr., author of Slavery in Medieval and Early Modern Iberia (University of Pennsylvania Press 2013) and co-author with Carla Rahn Phillips of A Concise History of Spain (Cambridge University Press 2010)


Publication Details

Hardback ISBN:
Paperback ISBN:
Page Extent / Format:
400 pp. / 246 x 189 mm
Release Date:
Hardback, September 2015; Paperback, February 2016
  Illustrated:   16-page colour plate section & other illustrations
Hardback Price:
£110.00 / $165.00
Paperback Price
£45.00 / $60.00

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